I've always thought of Andy Earle, long a fixture in Durham clubs, as a bluesman. Having seen him countless times in various configurations, from Highway 61 to hosting various jams, it's always been in a blues setting. And a fine bluesman he is, his spare, clean guitar work perfectly complimented by an unusually expressive voice, capable of everything from a mesmerizing whisper to a rafter-shaking roar.Whether detailing life's joys or its sorrows, Andy is an utterly engrossing performer. But there's another facet to Andy's considerable talents; as the leader of
his own trio (with Ron Eller on drums and bassist Keith
Dindayal), Andy, who's originally from Barbados, delivers a program
of R&B spiced with an irresistibly bouncy calypso beat, easy and warm as a summer breeze. The group's repertoire mixes
originals with timeless chestnuts like Johnny Nash's "I Can See
Clearly Now," the Drifters' "Under The Boardwalk," and Gershwin's "Summertime," here given an unusually
lilting treatment that nonetheless perfectly captures the song's essence.
Even moody, minor key ballads that in lesser hands would wallow in darkness
and despair somehow seem to promise comfort and contentment when Andy tackles
'em. The Andy Earle Trio serve up music perfect for dancing and
romancing, ideally suited to swaying slowly with a willing partner in one's
arms. As a bluesman he has few peers; as only a very few can, he's able to
take audiences on a journey from raucous celebration to the very heart of
darkness, routinely leaving audiences breathless from the experience, yet
happy indeed to have accompanied him on his travels through the emotional
spectrum.
- by John Taylor
Live Onstage
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